Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Kelvin Smith Fund
Museum
Mt. Fuji through Pines
late 1700s-early 1800s
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicNo rights-cleared provenance evidence is published.
Exhibitions
PublicSource exhibition text
Main Asian Rotation (Gallery 236); January 13, 2015 -
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
Kubo Shunman dashed off this loose image of Mt. Fuji viewed in the distance from behind pine trees as a performance painting, or <em>sekiga</em>. He did it on the spot in the company of members of his poetry club. Six of them, including the club's founder Yadoya no Meshimori (Rokujuen, 1753–1830), added <em>kyoka</em> poems, 31-syllable poems like the classical Japanese <em>waka</em> poem in form, but with a heavy emphasis on humor. Shunman jotted down a poem as well, in the bottom right corner of the painting, before signing and sealing it. Each poem takes the painted image as its point of departure.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 0 structured provenance events · 0 structured exhibitions.
Place Of OriginShort DescriptionExhibition HistoryCredit Line