Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
Paris sale, Galerie Georges Petit, 22 May 1919 (lot 28, repr.), Portrait de M Martin, peint entre 18...
Hamel, Lisieux. Etard, Lisieux. F. Cottin, Lisieux, by 1964.
New York sale, Sotheby Parke-Bernet, 28 April 1977 (lot 156, repr.).
Shepherd Gallery, New York.
Bought May 1977 by Mr. and Mrs. Noah L. Butkin, Cleveland. Bequeathed to the CMA in 1980.
Paris sale, Galerie Georges Petit, 22 May 1919 (lot 28, repr.), Portrait de M Martin, peint entre 1844 et 1848 (with a pendant portrait). Hamel, Lisieux. Etard, Lisieux. F. Cottin, Lisieux, by 1964. New York sale, Sotheby Parke-Bernet, 28 April 1977 (lot 156, repr.). Shepherd Gallery, New York. Bought May 1977 by Mr. and Mrs. Noah L. Butkin, Cleveland. Bequeathed to the CMA in 1980.
Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981). Douvres la Délivrande. Réalistes et impressionnistes normands (1961), no. 115, 12 (repr.). Cherbourg, Musée Thomas-Henry. Jean-François Millet (1964), no. 25. Paris, Musée Jacquemart-André. J.-F. Millet, le portraitiste et le dessinateur (1964-65), no. 1, (F. Cottin collection, Lisieux).
Millet and the other members of the Realist movement were renowned for not only producing realistic images, but for typically injecting their pictures with political, spiritual, or social messages. Sensitive to the human psyche and the rise of the bourgeoisie, Millet used a simple, almost monochromatic background to focus attention on the face of Monsieur Martin, a middle-class veterinarian and meat inspector. Indeed, Martin's beard, hair style, clothing, even his common French name, and the fact that he could afford portraits of himself and his wife (now lost) convey that he belonged to the prosperous middle class. This small portrait shows Millet's extraordinary skill as a painter. He depicted the highlights on Martin's face by adding patches of flat, unblended color, and some of the brushstrokes suggest the loose, quick movement of the artist's hands over the canvas.
0 observed sales · 0 comparable sales · 5 structured provenance events · 1 structured exhibitions.