Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
Probably painted for the sitter's father, David Reid, Edinburgh
by descent, through the sitter's daughter, Mrs. John Pryce, to Sir Henry Edward ap Rhys-Pryce [1874-...
[1] (sale, Christie, Manson & Woods, London, 18 July 1924, no. 84)
(M. Knoedler & Co., London)
from whose New York branch it was purchased 1924 by Andrew W. Mellon, Pittsburgh and Washington, D.C...
[2] gift by 1937 to his daughter, Ailsa Mellon Bruce [1901-1969], New York
bequest 1970 to NGA.
Probably painted for the sitter's father, David Reid, Edinburgh; by descent, through the sitter's daughter, Mrs. John Pryce, to Sir Henry Edward ap Rhys-Pryce [1874-1950];[1] (sale, Christie, Manson & Woods, London, 18 July 1924, no. 84); (M. Knoedler & Co., London); from whose New York branch it was purchased 1924 by Andrew W. Mellon, Pittsburgh and Washington, D.C.;[2] gift by 1937 to his daughter, Ailsa Mellon Bruce [1901-1969], New York; bequest 1970 to NGA. [1] The early provenance is recorded in a dealer's prospectus, probably Knoedler's, in NGA curatorial files. [2] According to the records of both Mrs. Mellon Bruce and Mr. Mellon, copies of which are in NGA curatorial files.
Miss Davidson Reid is a work by Attributed to Sir Henry Raeburn. dated c. 1800/1806. made in oil on canvas. with recorded dimensions overall: 75.5 x 64 cm (29 3/4 x 25 3/16 in.) framed: 91.4 x 80.6 x 6.6 cm (36 x 31 3/4 x 2 5/8 in.). The work is recorded by National Gallery of Art under accession 1970.17.131.
1 observed sales · 0 comparable sales · 9 structured provenance events · 0 structured exhibitions.