Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Gift of Maxeen and John Flower in honor of Dr. Stanislaw Czuma
Museum
Maharana Jagat Singh Attending the Raslila
1736
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
Public?–2011
Dr. John [1921–2011] and Maxeen Stone Flower [1928–2010], Shaker Heights, OH, bequest to the Clevela...
2011–
The Cleveland Museum of Art, Cleveland, OH
Source provenance text
Dr. John [1921–2011] and Maxeen Stone Flower [1928–2010], Shaker Heights, OH, bequest to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
A Splendid Land: Paintings from Royal Udaipur. The Cleveland Museum of Art, Cleveland, OH (June 11-September 10, 2023). Main Asian Rotation (Gallery 245). The Cleveland Museum of Art, Cleveland, OH (January 5-April 27, 2015).
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
To celebrate the New Year festival of Diwali, dancers reenact the life story of the Hindu god Krishna in a palace courtyard by candlelight under the full moon. The king, a vassal of the Mughal emperor, sits with the halo of divine sanction for his rule at the left of the courtyard, smoking from a golden goat-shaped hookah, with his young son and heir at his side. At the top of the composition, a dancer dressed in blue with a peacock-feather crown plays the part of Krishna. In the upper right corner, a canopy painted with swirling storm clouds stands for the rainstorm sent by the jealous king of the gods, who is shown in the middle of the canopy with his consort and mount, the elephant with seven trunks. Guards and grooms in the foreground entertain themselves with music while they wait with the horses of visiting nobles. The formal geometric gardens, playful use of perspective, and individualized portraiture indicate the selective adoption of the styles and sensibilities of the imperial Mughal court in the paintings from this large-format series.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 2 structured provenance events · 1 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line