Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Gift of Norman Zaworski
Museum
Maharaja of Kotah Listening to Music and Watching Dancers
c. 1820
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicNo rights-cleared provenance evidence is published.
Exhibitions
PublicSource exhibition text
Main Gallery Rotation (Gallery 242B): April 6, 2016 -
The Cleveland Museum of Artconfidence 100%
Related public works
Explore catalog →Catalog neighbours
Krishna reaching for the moon
Unknown artist · 1815
The birth of Rama and his brothers, from Chapter 17 of the Bala Kanda (Book of Childhood) of the Adhyatma Ramayana (Rama's Journey of the Supreme Spirit) from the Brahmanda Purana (Ancient Scripture of the Cosmic Egg)
Unknown artist · 1820
Royal women shooting from a pavilion
Unknown artist · 1805
A Couple (from the series Costumes and Professions)
Unknown artist · 1825
Rama, Sita, and Lakshmana in the forest
Unknown artist · 1825
Sourced Overview Evidence
In the foreground the king enjoys food, wine, and a dance performance with his companions on the terrace of a palace residence. His hunting lodge is on the opposite bank of the river. Deer, wild boar, and the coveted tiger roam the forested wilderness. Rulers of the princely state of Kota adopted many architectural and costume elements from their overlords, the Mughal emperors. The mix of white marble and pink sandstone with rooftop pavilions and niches in the walls are typical of domestic architecture under the Mughals of India. By the early 1800s, Indian artists adopted an interest in conveying a sense of receding space from European paintings. This painter has convincingly rendered the space of the room behind the king, featuring a door to an inner bedchamber.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 0 structured provenance events · 0 structured exhibitions.
Place Of OriginShort DescriptionExhibition HistoryCredit Line