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Lions and Tigers in Peony and Bamboo
The Cleveland Museum of Art · John L. Severance Fund
Museum

Lions and Tigers in Peony and Bamboo

1668
Yamaguchi Sekkei (Japanese, 1644–1732) visual detail
ArtistYamaguchi Sekkei (Japanese, 1644–1732)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
?–1972

(Nisaburo Mizutani, Kyoto, Japan, sold to the Cleveland Museum of Art)

1972–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

(Nisaburo Mizutani, Kyoto, Japan, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Japanese Screens from the Museum and Cleveland Collections. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 23-May 8, 1977). Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 15-September 16, 2001). Main Asian Rotation (Gallery 121). The Cleveland Museum of Art, Cleveland, OH (July 18-October 26, 2003).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

Sekkei lived and studied painting in Kyoto at the Kano school studio, the center of traditional painting activity in Japan since 1500. The use of gold foil as a backdrop for the frolicking animals served a practical as well as a decorative function. Because traditional Japanese rooms had no windows, interior lighting came from portable oil lamps and wax candles, whose effects were magnified by reflective surfaces.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 2 structured provenance events · 2 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line