Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum
Landscape with Haywain
1861
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicProvenance event
William Phelps Eno, Westport, CT, 1920 [bought from artist]; Eno Foundation, Westport, CT; (Davis &...
Source provenance text
William Phelps Eno, Westport, CT, 1920 [bought from artist]; Eno Foundation, Westport, CT; (Davis & Long Co., New York)
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
New York, The Metropolitan Museum of Art, Catalogue of the Loan Exhibition of Paintings and Statuary at The Metropolitan Museum of Art (May 1875), cat. no. 83, p. 13. Mansfield, OH, The Mansfield Art Center, The American Landscape (8 March-5 April 1981), cat. no. 5, illus. Sarasota, Fla, The John and Mable Ringling Museum of Art, Worthington Whittredge: Hudson River Artist (8 December 1989-11 February 1990); traveled to Fort Worth, Amon Carter Museum (24 March-20 May 1990); Chattanooga, Tenn, Hunter Museum of Art (10 June-5 August 1990); Washington, D.C., The Corcoran Gallery of Art (8 September-4 November 1990); cat. not numbered. Yonkers, NY, The Hudson River Museum of Westchester, Westchester Landscapes: Pastoral Visions 1840-1920 (5 February-13 June 1993), not numbered.
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
Painted during the first year of the Civil War, this idyllic view of a farm near Dobb's Ferry, New York, proclaimed to Northern viewers the success of an agricultural system in which farmers worked their own land. The American flag hanging beside the homestead subtly alludes to the war. Such a scene was thus a critique of Southern slavery. Yet the beauty of the landscape, the wagon carrying a bountiful harvest of hay and the long afternoon shadows, also offers an optimistic image of harmony between man and nature.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 1 structured provenance events · 0 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line