Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
The Cleveland Museum of Art, Cleveland, Ohio
Jane Taft Ingalls [1874-1962], Cleveland, OH, upon her death, held in trust by the estate Estate of...
(Rosenberg & Stiebel, New York, NY, sold to Jane Taft Ingalls)
Baroness Clarice von Rothschild [1894-1967], widow of Baron Alphonse, New York, NY, sold to Rosenber...
In possession of the Allies, restituted to Clarice von Rothschild, widow of Alphonse1
In possession of the Nazis; selected by Hitler for the Führermuseum, Linz1
Baron Alphonse von Rothschild, Vienna [1878-1942], confiscated by the Nazis
The Cleveland Museum of Art, Cleveland, Ohio Jane Taft Ingalls [1874-1962], Cleveland, OH, upon her death, held in trust by the estate Estate of Jane Taft Ingalls, by bequest to the Cleveland Museum of Art (Rosenberg & Stiebel, New York, NY, sold to Jane Taft Ingalls) Baroness Clarice von Rothschild [1894-1967], widow of Baron Alphonse, New York, NY, sold to Rosenberg & Stiebel In possession of the Allies, restituted to Clarice von Rothschild, widow of Alphonse1 In possession of the Nazis; selected by Hitler for the Führermuseum, Linz1 Baron Alphonse von Rothschild, Vienna [1878-1942], confiscated by the Nazis Baron Nathaniel von Rothschild, Vienna [1836-1905], by descent to his nephew, Baron Alphonse von Rothschild Baron Anselm von Rothschild [1803-1874], Vienna, by descent to his son, Baron Nathaniel von Rothschild (Rochebousseau sale, Pillet, Paris, May 5-8, 1873, no. 198, sold to Guénot)1 Marquis de La Rochebousseau
Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962). Dutch Art and Life in the Seventeenth Century. The Cleveland Museum of Art, Cleveland, OH (July 10-September 2, 1973). Vienna, Oesterreichisches museum für kunst und Industrie, 1873: "Ausstellung alter Gemälde aus Wiener privtbesitz," cat. no. 122. CMA, November 1962: "Year in Review," cat., Bull., (Nov. 1962), cat. no. 96, repr. p. 212. CMA, 1973: "Dutch Art and Life in the Seventeenth Century," no catalogue.
It is not known if Ruisdael considered his paintings to be social or moral commentary, for no documents from his lifetime indicate how the artist or his patrons interpreted the works. But in this painting dangerous rapids block access to the chapel, and severed logs litter the middleground, hinting at life’s transience and the challenge to reach salvation.
0 observed sales · 0 comparable sales · 11 structured provenance events · 2 structured exhibitions.