Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
Wan Chengzi 萬承紫 [1775–after 1837]
Xu Weiren 徐渭仁 [1788–1853]
Sun Zutong 孫祖同 [1894–1937]
(C. C. Wang 王季遷 [1907–2003], New York, NY, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, OH
Wan Chengzi 萬承紫 [1775–after 1837] Xu Weiren 徐渭仁 [1788–1853] Sun Zutong 孫祖同 [1894–1937] (C. C. Wang 王季遷 [1907–2003], New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
Year in Review (1961). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 1-26, 1961). Fantastics and Eccentrics in Chinese Painting. The Asia Society Museum, New York, NY (organizer) (March 23-May 28, 1967); Los Angeles County Museum of Art, Los Angeles, CA (June 20-August 13, 1967); Fine Arts Museums of San Francisco, de Young Museum, San Francisco, CA (September 15-November 5, 1967). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Six Dynasties of Chinese Painting (Chinese art rotation). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 10, 2023-May 5, 2024). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983). Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (July 16-October 28, 2003). Main Asian Rotation (Gallery 242). The Cleveland Museum of Art, Cleveland, OH (November 21, 2013-July 28, 2014).
This painting by Chen Hongshou depicts the story of Xuanwen Jun, or Lady of Literary Propagation, at a venerable age, instructing young scholars on the Confucian classics. It was painted for Chen’s aunt in celebration of her 60th birthday. <br> <br>Chen’s painting style is archaic in the use of fine outlines and brilliant coloring with mineral pigments. In depicting the figures, he uses the “iron-wire” brush style (fine, even lines) with deliberate control. The faces are elongated and exaggerated. A few ritual bronzes lend the scene an antique flavor.
0 observed sales · 0 comparable sales · 5 structured provenance events · 4 structured exhibitions.