July
The Cleveland Museum of Art · Gift of Will Low Bacher
Museum

July

1893
Otto H. Bacher (American, 1856–1909) visual detail
ArtistOtto H. Bacher (American, 1856–1909)
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Market Intelligence

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Public evidence
Last known price—0 matched observed sales
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Provenance

Public
Provenance event

Will Low Bacher, the artist's son.

Source provenance text

Will Low Bacher, the artist's son.

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Etchings by Otto H. Bacher. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1921). Year in Review: 1967. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 29-December 31, 1967). American Impressionistic Painting. National Gallery of Art, Washington, DC (organizer) (July 1-August 12, 1973); Whitney Museum of American Art, New York, NY (September 18-November 12, 1973); The Cincinnati Art Museum, Cincinnati, OH (December 15, 1973-January 31, 1974); North Carolina Museum of Art, Raleigh, NC (March 8-April 29, 1974). Currents of Expansion: Painting in the Midwest, 1820 - 1940. Saint Louis Art Museum, St. Louis, MO (organizer) (February 18-April 10, 1977). American Impressionism. Henry Art Gallery, University of Washington, Seattle, WA (organizer) (January 3-March 2, 1980); Frederick S. Wight Art Gallery, UCLA, Los Angeles, CA (March 9-May 4, 1980); Terra Museum of American Art, Evanston, IL (May 16-June 22, 1980); The Institute of Contemporary Art, Boston, Boston, MA (July 1-August 31, 1980). New York, Sixteenth Exhibition of the Society of American Artists (1894). Buffalo, Pan-American Exposition (1901) cat. no. 256, listed p. 24, under title July. San Francisco, Palace of Fine Arts, Panama-Pacific Internation Exposition: Department of Fine Arts (1915), cat. no. 2619, listed p. 285. New York, The Walpole Galleries, Exhibition and Sale of Paintings of the Late Otto H. Bacher (13, 22-23, January 1917), cat. no.25; listed p. 7. Washington, D.C., The Corcoran Gallery of Art, Commemorative Exhibition by Members of the National Academy of Design, 1825-1925 (17 October-15 November 1925); traveled to New York, The Grand Central Art Galleries (1 December 1925-3 January 1926), cat. no. 187; title given: Figure in Sunlight. Washington, National Gallery of Art, American Impressionist Painting (1 July-26 August 1973); traveled to New York, The Whitney Museum of American Art (18 September-2 November 1973); to Cincinnati, Cinncinnati Art Museum (15 December 1973-31 January 1974); to Raleigh, The North Carolina Museum of Art (8 March-29 April 1974); cat. no. 2, illus. p. 54. St. Louis, The St. Louis Art Museum, Currents of Expansion: Painting in the Midwest, 1820-1940 (18 February-10 April 1977), cat. no. 75, illus. p. 37. Seattle, Henry Art Gallery, University of Washington, American Impressionism (3 January-2 March 1980); traveled to Los Angeles, The Frederick S. Wight Gallery, University of California at Los Angeles (9 March-4 May 1980); to Evanston, IL, The Terra Museum of American Art (16 May-22 June 1980); to Boston, The Institute of Contemporary Art (1 July-31 August 1980); no cat. number, illus p. 24 in section 3 entitled "Landscape and Light in American Painting of the 1880's." Cleveland, One Cleveland Center Gallery, The Cleveland Museum Presents Four Cleveland Artists: George Adomeit, Otto Bacher, Frederick Gottwald, and Walter Sinz (15 October-2 November 1984). Madison, WI, Madison Art Center, The Seasons: American Impressionist Painting (8 December 1984-2 February 1985), cat. no. 1, not illus. Jacksonville, Fl, The Cummer Gallery of Art, Artistic Transitions: From the Academy to Impressionism in American Art, Twenty-Fifth Anniversary Exhibition (24 October 1986-11 January 1987), cat. no. 1, illus. p. 18. Cleveland, The Cleveland Museum of Art, Fraternité: Artistic Relations between France & America (21 July-18 October 1987), no catalogue.

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Sourced Overview Evidence

Cleveland-born and New York City-based Otto Bacher painted <em>July</em> during a visit to East Hampton, Long Island, NY. The sun-dazzled composition features a nude model seated upon a lawn. Her name was not recorded.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 1 structured provenance events · 5 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line