Grapes
The Cleveland Museum of Art · The Kelvin Smith Collection, given by Mrs. Kelvin Smith
Museum

Grapes

1800s
Sugai Baikan (Japanese, 1784–1844) visual detail
ArtistSugai Baikan (Japanese, 1784–1844)
View artist →

Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
?–1976

(Mathias Komor, New York, NY, sold to Mr. and Mrs. Kelvin Smith)

1976–1985

The Kelvin Smith Collection, Cleveland, OH, given by Mrs. Kelvin [Eleanor Armstrong] Smith [1899–199...

1985–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

(Mathias Komor, New York, NY, sold to Mr. and Mrs. Kelvin Smith) The Kelvin Smith Collection, Cleveland, OH, given by Mrs. Kelvin [Eleanor Armstrong] Smith [1899–1998] to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

A Private World: Japanese and Chinese Art from the Kelvin Smith Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 14-November 13, 1988). Main Asian Rotation (Gallery 121). The Cleveland Museum of Art, Cleveland, OH (July 13-November 11, 2004).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

This loose composition is a casual work likely created for an acquaintance by Sugai Baikan, an artist known for his ink landscapes. Baikan was from Sendai in Tōhoku, and painted there before traveling to Edo (Tokyo) and then Kyoto, where he viewed a fan painting by Nagasaki-based Chinese businessman and artist Jiang Jiapu (dates unknown). Inspired, he moved to Nagasaki and studied with Jiang for many years, learning Chinese painting history and techniques. Then, after a stint in Osaka during which he enjoyed wide acclaim in painting and poetry circles, he returned to Sendai. Following a series of natural disasters in the region, his life fell into disarray, and he drowned himself in a well.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 3 structured provenance events · 1 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line