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Discover› Yamamoto Baiitsu (Japanese, 1783–1856)› Geese, Reeds, and Water
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Geese, Reeds, and Water
The Cleveland Museum of Art · Bequest of Mrs. A. Dean Perry
Museum

Geese, Reeds, and Water

1800s
Yamamoto Baiitsu (Japanese, 1783–1856) visual detail
ArtistYamamoto Baiitsu (Japanese, 1783–1856)
View artist →
Medium
One of a pair of four-panel folding screens; ink, color, and cut gold foil on paper
Dimensions
Image: 169 x 350.5 cm (66 9/16 x 138 in.)
Classification
Painting
Style
ASIAN - Folding screen
Origin
Japan, Edo period (1615–1868)
Institution
The Cleveland Museum of Art
Credit
Bequest of Mrs. A. Dean Perry

Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
No rights-cleared provenance evidence is published.

Exhibitions

Public
No rights-cleared exhibition history is published.

Sourced Overview Evidence

This byōbu composition differs from most in that it comprises two four-panel screens, rather than two six-panel units. Since the current mounting is modern, it is impossible to determine whether its present configuration represents its original design. Some panels may have been removed to help the screens better fit into a modern interior space. Baiitsu worked almost exclusively in monochromatic ink tones and favored classical Chinese painting themes.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 0 structured provenance events · 0 structured exhibitions.

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