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Folio B: Folio from the "Five Treasures" (Panj Ganj) of Jami (recto)
The Cleveland Museum of Art · Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection
Museum

Folio B: Folio from the "Five Treasures" (Panj Ganj) of Jami (recto)

1520–1607
Mushfiq (Indian, active early 1600s) visual detail
ArtistMushfiq (Indian, active early 1600s)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
before 1923

Georges Demotte [1877–1923], Paris, France, and New York, NY

1940s

French private collection

October 18, 1994

(Christie's, London, England, Islamic Art, Indian Miniatures, October 18, 1994 sale, lot 9)

1994–2013

Catherine Glynn Benkaim and Ralph Benkaim Collection

2013-

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

Georges Demotte [1877–1923], Paris, France, and New York, NY French private collection (Christie's, London, England, Islamic Art, Indian Miniatures, October 18, 1994 sale, lot 9) Catherine Glynn Benkaim and Ralph Benkaim Collection The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Art and Stories from Mughal India. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 31-October 23, 2016).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

This page contains two different texts, one written diagonally in the border and the other in the two central columns. The section of poetry in the border describes an episode from Joseph’s childhood in which his older brothers suggest to Jacob, their father, that they take Joseph into the countryside so that the boy can learn the area, although they actually plan to kill him. The poem in the central columns advises the reader to smile often, as a smile is sweeter and more pleasing than sugar.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 5 structured provenance events · 1 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line