Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Gift of Mrs. Noah L. Butkin
Museum
Flowers in a Vase
c. 1669
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicProvenance event
R. Warner, London
Provenance event
S. W. Highley, Harrogate (1928)
Provenance event
Mrs. Noah L. Butkin
Provenance event
R. Warner (London, England)
Provenance event
S. W. Highley Harrogate, 1928
-1982
Mrs. Noah L. Butkin (Shaker Heights, Ohio), by gift to the Cleveland Museum of Art, 1982.
1982-
The Cleveland Museum of Art, Cleveland, OH
Source provenance text
R. Warner, London S. W. Highley, Harrogate (1928) Mrs. Noah L. Butkin R. Warner (London, England) S. W. Highley Harrogate, 1928 Mrs. Noah L. Butkin (Shaker Heights, Ohio), by gift to the Cleveland Museum of Art, 1982. The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
The Year in Review for 1983. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 22-April 8, 1984). The Magic of Still Life. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 4, 1986-February 1, 1987). Still-Life Paintings from the Netherlands, 1550-1720. Rijksmuseum, Amsterdam, Netherlands (June 19-September 19, 1999); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 31, 1999-January 9, 2000).
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
With just a few flowers, Verelst created a composition of great sophistication and balance. A simple glass flask is filled with a large rose, a red anemone, and a white narcissus tinged with pink. These flowers are surrounded by a scattering of smaller blossoms. Like many still-life painters, Verelst depicted a window reflected in the glass vase, but here he did not show the window's precise structure. He did, however, use another common device: the depiction of a few chips in the stone surface to make the material seem more tangible. Early in his career, Verelst moved from Holland to London, where he worked for the court of King James II and was extravagantly praised for the realism of his flower paintings.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 7 structured provenance events · 3 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line