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Figure Mooring a Boat
The Cleveland Museum of Art · Gift from the Collection of George Gund III
Museum

Figure Mooring a Boat

mid-1500s
Kannan (Japanese, active mid-1500s) visual detail
ArtistKannan (Japanese, active mid-1500s)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
No rights-cleared provenance evidence is published.

Exhibitions

Public
Source exhibition text

Ink Paintings and Ash-Glazed Ceramics: Medieval Calligraphy, Painting, and Ceramic Art from Japan and Korea. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 19-May 28, 2000). Reeds and Geese: Japanese Art from the Collection of George Gund III. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 21-September 3, 2017). CMA, 19 March-28 May, 2000: Ink Painting and Ash-Glazed Ceramics: Medieval Calligraphy, Painting, and Ceramic Art from Japan and Korea, no. 18, 60-61 (repr.) The Cleveland Museum of Art, "Reeds and Geese: Japanese Art from the Collection of George Gund III" (May 21- September 3 2017)

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

Kannan is a little-known painter of the Kanto region. Close inspection of this quiet scene suggests that it represents the “night rain over Xiao and Xiang” scene from the Eight Views of the Xiao and Xiang Rivers. The style of the painting is similar to some works from Korea; as Japanese and Korean monk-painters traveled back and forth between one another’s monastic communities during the 1400s and 1500s, Kannan surely had the opportunity to consider incorporating Korean stylistic features into his work.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 0 structured provenance events · 2 structured exhibitions.

Place Of OriginShort DescriptionExhibition HistoryCredit Line