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Eight Views of the Xiao and Xiang Rivers
The Cleveland Museum of Art · Gift of N. V. Hammer
Museum

Eight Views of the Xiao and Xiang Rivers

1700s
Watanabe Shikō (Japanese, 1683–1755) visual detail
ArtistWatanabe Shikō (Japanese, 1683–1755)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
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Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

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Provenance

Public
Provenance event

R. Fukui, Tokyo, Japan

Provenance event

Mayuyama and Co., Tokyo, Japan

?-1968

N. V. Hammer, New York, NY, given to the Cleveland Museum of Art

1968-

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

R. Fukui, Tokyo, Japan Mayuyama and Co., Tokyo, Japan N. V. Hammer, New York, NY, given to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Year in Review for 1968. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 29-March 9, 1969). Japanese Screens from the Museum and Cleveland Collections. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 23-May 8, 1977). Byobu: The Art of the Japanese Screen. The Cleveland Museum of Art (organizer) (August 1-October 14, 1984). Suibokuga: Japanese Ink Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 1, 1985-February 24, 1986). Unfolding Beauty: Japanese Screens from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 15-September 16, 2001). The Lure of Painted Poetry: Japanese and Korean Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 15-August 21, 2011).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

Watanabe Shiko, an Edo period painter who combined Kano school style with Rimpa style, re-created the Xiao and the Xiang rivers on a pair of eight-panel screens. For this composition, he followed the Kano school’s sense of space, adapted from miniature copying paintings (<em>shukuzu</em>) by the Japanese artist Kano Tanyu. Watanabe revised the typical representations of the Xiao and the Xiang rivers by rendering the theme Wild Geese Descending to Sandbar on the right screen and Evening Bell from Mist-Shrouded Temple on the left screen. He depicted simple motifs—moon, boat, geese, and temple—to suggest the other scenes while also creating airy space.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 4 structured provenance events · 6 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line