Egret and Reeds
The Cleveland Museum of Art · Gift from the Collection of George Gund III
Museum

Egret and Reeds

late 1800s
Yang Ki-hun (Seuk-Eun) (Korean, 1843–1919?) visual detail
ArtistYang Ki-hun (Seuk-Eun) (Korean, 1843–1919?)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
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Artist index—
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Provenance

Public
December 3, 1993

(Sotheby's, New York, NY, Korean Works of Art, sale 6508, December 3, 1993, lot 46)

1993–2015

George Gund III [1937–2013], bequest to the Cleveland Museum of Art

2015–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

(Sotheby's, New York, NY, Korean Works of Art, sale 6508, December 3, 1993, lot 46) George Gund III [1937–2013], bequest to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

In this hanging scroll, an egret walks along the shores of a salt marsh where reeds abundantly grow. Native to Pyongyang, the artist Yang Ki-hun had no rival in bird-and-flower themes. The Taedong River estuary, one of Pyongyang’s beloved natural sites, may have been Yang’s favorite spot to observe and sketch various water birds.<br><br>Yang treated his subjects of flora and fauna with an observant naturalist’s view, yet his choice of subjects—an egret and reeds—is deeply rooted in traditional symbolic language: the egret stands for the scholarly reclusive life, while reeds indicate humility and modesty.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 3 structured provenance events · 1 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line