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Dr. Leclenché
The Metropolitan Museum of Art
Museum

Dr. Leclenché

1864
Claude Monet visual detail
ArtistClaude Monet
View artist →

Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price $6,000 Dealer sale · May 1, 1947
+300.0% vs previous observed sale
Matched price history · normalized USD · Foundry provisional
1943 · $1,5001947 · $6,000
$2K1943
$6K1947
Last known price$6,0002 matched observed sales
Observed median$3,750
Observed sales2
Artist index4,210.5
1947-05-01Dealer sale$6,000.00
1943-10-30Dealer purchase$1,500.00
Artist index contextLatest public build 4,210.5 · base 100 · n=3.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
ArtworkSale dateHouseRealized USDMatch
Camille Monet (1847–1879) on a Garden Bench
1873 · Oil on canvas
1949-05-01—$31,500.0077%
Camille Monet (1847–1879) on a Garden Bench
1873 · Oil on canvas
1949-04-29—$16,000.0077%
The Japanese Bridge
1923 · Oil on canvas
1957-09-17—$13,000.0062%
The Japanese Bridge
1923 · Oil on canvas
1956-09-01—$1,825.0062%
Antibes
1888 · oil paint, canvas
1923-05-09—$4,796.0046%
Antibes
1888 · oil paint, canvas
1890-11-01—$950.0046%

Similarity score is descriptive evidence ranking, not a valuation model. Every row comes from the public-rights market boundary.

Provenance

Public
$4f

$4f

Source provenance text

$4f

The Metropolitan Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

$4f

The Metropolitan Museum of Artconfidence 100%
Related public works

Catalog neighbours

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Sourced Overview Evidence

Monet’s son Michel identified the sitter for this small, informal portrait as the artist’s physician, Dr. Leclenché. Made in 1864, when Monet was still developing his skills as a figure painter, the likeness is nonetheless full of expressive details, from the doctor’s jauntily crossed legs to the cigar he holds nonchalantly in his left hand. His slightly exaggerated gestures may owe a debt to Monet’s youthful stint as a caricaturist.

The Metropolitan Museum of Artconfidence 100%

Evidence state

2 observed sales · 6 comparable sales · 1 structured provenance events · 0 structured exhibitions.

Credit LineShort DescriptionProvenance TextExhibition History