Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · The Charles W. Harkness Gift
Museum
Dr. James Stuart; Mary Campbell Stuart
c. 1815
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicProvenance event
family of the sitter, to Mrs. Mary Stuart Hamilton, Washington (1911); (Knoedler, 1911); Charles H...
Source provenance text
family of the sitter, to Mrs. Mary Stuart Hamilton, Washington (1911); (Knoedler, 1911); Charles Harkness, New York.
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941).
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
Born in Rhode Island, Gilbert Stuart studied painting in London under fellow American expatriate Benjamin West. He achieved great success as a fashionable portrait painter of high society, most famously George and Martha Washington. Here, he portrayed Mary Stuart (born Campbell), the great-granddaughter of Colonel Peter Bard, a New Jersey Supreme Court judge. She married Dr. James Stuart, whose portrait was also painted by Stuart (unrelated to the sitters). Both are shown seated in an Empire chair upholstered in brown brocade. Stuart painted the portrait pair on panel because the British naval blockade during the War of 1812 hindered the import of canvas, the artist’s preference.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 1 structured provenance events · 2 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line