Diptych with Twelve Apostles & St. Paul
The Cleveland Museum of Art · Severance and Greta Millikin Purchase Fund
Museum

Diptych with Twelve Apostles & St. Paul

c. 1700
Workshop or Circle of Wäldä Maryam (Ethiopia, active mid- to late 1600s-early 1700s) visual detail
ArtistWorkshop or Circle of Wäldä Maryam (Ethiopia, active mid- to late 1600s-early 1700s)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
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Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
-2005

Giuseppe Vimercati, Italy (b. 1943)

-2023

(Sam Fogg, Ltd, London, sold to the Cleveland Museum of Art)

2023–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

Giuseppe Vimercati, Italy (b. 1943) (Sam Fogg, Ltd, London, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Africa & Byzantium. The Cleveland Museum of Art, Cleveland, OH (co-organizer) (April 14-July 21, 2024).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

Depicting 13 holy men, this diptych (two-panel painting) is sized for an Ethiopian Orthodox Christian church or elite home. It is painted in the bold, colorful style associated with royal court workshops from the early 1600s to the mid-1700s. Painter Wäldä Maryam (or someone he trained) set this scene of Christ’s apostles in the context of his homeland. Each saint wears fashionable clothing imported from India. While they are posed and dressed similarly to emphasize their group identity, the artist portrayed their faces and hairstyles individually. Captions in Ge’ez––an eastern African language dating to the 400s BCE––identify each by name.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 3 structured provenance events · 1 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line