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Diptych with the Passion of Christ (right wing): Crowning with Thorns and Agony on the Garden
The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum

Diptych with the Passion of Christ (right wing): Crowning with Thorns and Agony on the Garden

c. 1400

Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

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Provenance

Public
Provenance event

Georg Joseph Strossmayer (1815-1905), Zagreb, Yugoslavia

Provenance event

Sale?: Byzantinische Schule

Provenance event

Frederick B. Pratt, New York, NY

-1945

Arnold Seligmann, Rey & Co., New York, NY, sold to the Cleveland Museum of Art

1945-

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

Georg Joseph Strossmayer (1815-1905), Zagreb, Yugoslavia Sale?: Byzantinische Schule Frederick B. Pratt, New York, NY Arnold Seligmann, Rey & Co., New York, NY, sold to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
No rights-cleared exhibition history is published.
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Sourced Overview Evidence

This diptych, or two-panel painting, is hinged at the center so that it could be opened and closed and easily transported. It was clearly designed as an object for private devotion. The owner would have been able to contemplate the Passion of Christ and pray before these scenes. The top two images depict Christ’s scourging at the pillar and the crowning of thorns, while the lower two show Jesus before Pontius Pilate and in the Garden of Gethsemane. The scenes would have been read clockwise beginning with the lower right. On the back of these panels are remnants of paintings that have since been scraped off.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 5 structured provenance events · 0 structured exhibitions.

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