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Courtesan and Attendants
The Cleveland Museum of Art · The Kelvin Smith Collection, given by Mrs. Kelvin Smith
Museum

Courtesan and Attendants

c. 1748–51
Engetsudō (Japanese) visual detail
ArtistEngetsudō (Japanese)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
Provenance event

Nathan Chaikin

Provenance event

(Nathan Chaikin)

Source provenance text

Nathan Chaikin (Nathan Chaikin)

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

A Private World: Japanese and Chinese Art from the Kelvin Smith Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 14-November 13, 1988). Visions of Japan: Prints and Paintings from Cleveland Collections. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 12, 2004-April 10, 2005). Later Japanese Rotation (Gallery 113); March 18 - July 13, 2004. Cleveland, Ohio: The Cleveland Museum of Art; December 12, 2004- April 10, 2005. "Visions of Japan: Prints and Paintings from Cleveland Collections".

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

The courtesan wears a pair of tall, lacquered wooden clogs and heavy robes, indicating it is winter. The elaborate span of her tortoiseshell comb in her fashionable coiffure enhances her glamorous appearance. Her blue-and-white striped obi is tied in a loose bow in front, typical for her profession. The round, stylized cherry blossom crest of her "house" (brothel), partially visible on her shoulder just above the shawl, also appears on the robes of her two attendants (<em>kamuro</em>). The attendants hold shuttlecocks, used in a game associated with New Year celebrations. One girl stares out at the viewer; the other looks back. The frontal view of the attendant’s face is somewhat rare in ukiyo-e painting and prints.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 2 structured provenance events · 2 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line