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Clearing Autumn Mists in the Chu Mountains
The Cleveland Museum of Art · Purchase from the J. H. Wade Fund
Museum

Clearing Autumn Mists in the Chu Mountains

1600s
Lan Ying (Chinese, 1585–after 1664) visual detail
ArtistLan Ying (Chinese, 1585–after 1664)
View artist →
Medium
hanging scroll, ink and light color on silk
Dimensions
Painting: 185.3 x 48.4 cm (72 15/16 x 19 1/16 in.); Overall with knobs: 283.5 x 71.5 cm (111 5/8 x 28 1/8 in.)
Classification
Painting
Style
ASIAN - Hanging scroll
Origin
China, Ming dynasty (1368–1644)
Institution
The Cleveland Museum of Art
Credit
Purchase from the J. H. Wade Fund

Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
?-1971

(Hugh Moss, Ltd., London, sold to the Cleveland Museum of Art)

1971-

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

(Hugh Moss, Ltd., London, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Year in Review: 1971

Source exhibition text

Year in Review: 1971. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 28, 1971-February 6, 1972). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Main Asian Rotation (Gallery 242). The Cleveland Museum of Art, Cleveland, OH (January 7-July 7, 2015).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

In his inscription Lan Yin states that he uses Mi Fu’s methods to depict this landscape. The ovoid "Mi" dots—Mi Fu’s brush idioms—are applied to give shape to the cloud-enveloped mountains and foreground tree grove for self expression. Engaging in the process of <em>fang</em> (imitation), he acquired the methods of various schools and masters to expand his technical range for creative transformations. Lan Yin developed his unique style and inspired major artists like Liu Du and Chen Hongshou.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 2 structured provenance events · 1 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line