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Christ and the Woman Taken in Adultery
The Cleveland Museum of Art · Holden Collection
Museum

Christ and the Woman Taken in Adultery

mid 1700s
Sebastiano Ricci (Italian, 1659–1734) visual detail
ArtistSebastiano Ricci (Italian, 1659–1734)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
Provenance event

Miner K. Kellogg

Provenance event

Mrs. Liberty E. Holden, Cleveland

1916

Holden Collection

Provenance event

Miner K. Kellogg; Mrs. Liberty E. Holden, Cleveland. Holden Collection, 1916.

Source provenance text

Miner K. Kellogg Mrs. Liberty E. Holden, Cleveland Holden Collection Miner K. Kellogg; Mrs. Liberty E. Holden, Cleveland. Holden Collection, 1916.

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Inaugural Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (co-organizer) (June 6-September 20, 1916). The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). Cleveland, 1894: "Cleveland Art Loan Exhibition," Held in the Hickox Building, cat. no. 12.

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

The subject originates in the Gospel of John 7:53-8:11, where Pharisees bring a woman accused of adultery to Christ, attempting to trick him into disobeying the Old Testament precept that she be stoned. In response, Christ interrupted his writing on the ground, stating: "Let anyone among you who is without sin be the first to throw a stone at her." The Pharisees, unable to retort, gradually disperse, and Christ eventually sends the woman away with an admonition not to sin again. The subject was popular in 18th-century Venice, partly because magnanimity was an important value, celebrated in visual, musical, and literary culture. The showy, exotic subject and the public presentation of an openly sexualized woman also enjoyed popularity in 18th-century Venetian painting. This work is a copy of the picture at the Minneapolis Institute of Arts, perhaps by a student (and certainly not by Ricci himself)

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 4 structured provenance events · 2 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line