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Canal in Autumn (Gisors)
The Cleveland Museum of Art · Bequest of Dr. Paul J. Vignos Jr.
Museum

Canal in Autumn (Gisors)

1913
Henri Le Sidaner (French, 1862–1939) visual detail
ArtistHenri Le Sidaner (French, 1862–1939)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
Provenance event

Galerie Georges Petit, Paris, France (inv. nr. 2141 and 9222, acquired from the artist)

Provenance event

(Bonfoey Company, Cleveland, OH sold to Dr. Paul J. Vignos, Jr.)

Provenance event

Dr. Paul J. Vignos, Jr., [1919-2010], Gates Mills, OH by bequest to the Cleveland Museum of Art

2011-

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

Galerie Georges Petit, Paris, France (inv. nr. 2141 and 9222, acquired from the artist) (Bonfoey Company, Cleveland, OH sold to Dr. Paul J. Vignos, Jr.) Dr. Paul J. Vignos, Jr., [1919-2010], Gates Mills, OH by bequest to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Stories from Storage. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 7-May 16, 2021).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

This painting depicts a canal in Gisors, a commune in Normandy, about 40 miles northwest of Paris on the river Epte. Le Sidaner painted this work in a Divisionist technique of applying pure color in large, broken strokes, often separated by areas of white or gray. Unlike the Impressionists, Le Sidaner preferred a restrained palette of delicately nuanced tones that evoke a mood of quiet mystery. His views of old canals, typically portrayed in a crepuscular or nocturnal light, and completely absent of figures, allude to the passage of time and a timeless eternity that exceeds the human life span.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 4 structured provenance events · 1 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line