Beauties at the Seashore
The Cleveland Museum of Art · John L. Severance Fund
Museum

Beauties at the Seashore

c. 1765–92
Ippitsusai Bunchō (Japanese, active c. 1765–92) visual detail
ArtistIppitsusai Bunchō (Japanese, active c. 1765–92)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
?–1963

(N. V. Hammer, Inc., New York, NY, sold to the Cleveland Museum of Art)

1963–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

(N. V. Hammer, Inc., New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Year in Review (1963). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 27, 1963-January 5, 1964). Ukiyo-e Paintings. Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY (organizer) (April 5-June 19, 1966). Japanese Painters of the Floating World: [Exhibition]. Andrew Dickson White Museum of Art, Cornell University, Ithaca, NY, and the Munson-Williams-Proctor Institute, Utica, NY (April-June, 1966). Later Japanese Art Gallery Rotation (Gallery 113). The Cleveland Museum of Art, Cleveland, OH (February 20–May 6, 2003). Later Japanese Art Gallery Rotation (Gallery 113). The Cleveland Museum of Art, Cleveland, OH (August 25–December 2, 2003).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

Bunchō portrays the popular subject of cooling off by the water on a late spring or early summer evening, as suggested by the willow. The seated lady enjoys her pipe-smoking—a popular pastime for Edo women. In the background, some fireworks are set off from a small boat.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 2 structured provenance events · 2 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line