Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Gift of William E. Ward in memory of his wife, Evelyn Svec Ward
Museum
Barber Cleaning a Woman’s Ear
c. 1890
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
Public?-2003
William E. Ward [1922-2004], Solon, OH, given to the Cleveland Museum of Art
2003-
The Cleveland Museum of Art, Cleveland, OH
Source provenance text
William E. Ward [1922-2004], Solon, OH, given to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Indian Kalighat Paintings. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 1-September 18, 2011).
The Cleveland Museum of Artconfidence 100%
Related public works
Explore catalog →Catalog neighbours
Hanuman with Rama and Lakshmana on his shoulders, from a Kalighat album
Unknown artist · 1875
Krishna Standing by Radha who is Seated on a Chair
Unknown artist · 1875
Krishna Ferrying Radha Across the Yamuna River (recto); Parivati Placing a Wedding Garland on Shiva (verso)
Unknown artist · 1875
Brahma
Unknown artist · 1875
Megha-Nada (Indrajit, Son of Radha)
Unknown artist · 1875
Sourced Overview Evidence
Kalighat paintings reflect the time and context in which they were created. Kalighat painters used their medium to offer penetrating and insightful critiques of British-influenced Indians as well as the British themselves through satires and caricatures. Newly rich Bengali native Indian clerks (babus) aspired to dress and behave like their British masters, and Kalighat painters taunted them for this. A chinless barber with cleaning pins tucked in his turban is cleaning the ears of a lady customer. A fashionable woman, she smokes a hookah and exposes one breast to her flirtatious barber. As the Bengali babus spent time with their mistresses and courtesans, neglected wives and concubines were portrayed as relying on the company of their servants.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 2 structured provenance events · 1 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line