Bamboos in Wind
The Cleveland Museum of Art · Severance and Greta Millikin Purchase Fund
Museum

Bamboos in Wind

1934
Kim Jin-woo (Korean, 1883–1950) visual detail
ArtistKim Jin-woo (Korean, 1883–1950)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
1934–35

Collection of the artist, Hamheung, North Korea, sold to the Kwak family

1935–?

Kwak family collection, Korea, by descent to Paul Kwak

?–2022

Paul Kwak, Akron, OH, sold to the Cleveland Museum of Art

2022–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

Collection of the artist, Hamheung, North Korea, sold to the Kwak family Kwak family collection, Korea, by descent to Paul Kwak Paul Kwak, Akron, OH, sold to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Ink, Paper, and Brush - Korean Gallery 236 Rotation. The Cleveland Museum of Art (organizer) (July 24, 2019-January 26, 2020).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

Active during the Japanese colonial period in Korea (1910–45), the artist Jin-woo Kim earned his artistic reputation for his expressive renditions of bamboo swaying in a strong wind. His piercing bamboo shoots are often compared to an iron spear, and their sharp leaves to a knife. It is believed that he deliberately emphasized sharpness in his brushstrokes to express his strong resistance against Japanese colonial oppression.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 4 structured provenance events · 1 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line