Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Bequest of Leonard C. Hanna Jr.
Museum
At the Café
c. 1897–99
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicProvenance event
Ambroise Vollard, Paris. André Weil, Paris. Jacques Seligmann, New York. Theodore Schempp, Brodhead,...
Source provenance text
Ambroise Vollard, Paris. André Weil, Paris. Jacques Seligmann, New York. Theodore Schempp, Brodhead, Wisc. Purchased from him by Leonard C. Hanna together with a Gauguin painting, 7 June 1943. Bequeathed to the CMA in 1958.
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Private Lives: Home and Family in the Art of the Nabis, Paris, 1889–1900. The Cleveland Museum of Art, Cleveland, OH (organizer) (co-organizer) (July 1-September 19, 2021); Portland Art Museum, Portland, OR (co-organizer) (October 23, 2021-January 23, 2022). Impressionism to Modernism: The Keithley Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 11, 2022-January 8, 2023). Louisville, Ky., J. B. Speed Memorial Museum. The Hanna Collection of Modern Masterpieces (1944), no cat. Dayton Art Institute. The Little Show (1945), no. 12, Café Scene, lent by L. C. Hanna Jr., Cleveland. New York, Jacques Seligmann & Co. É. Vuillard. His Dynamic Early Period (1948), no. 10, Le café, private collection, New York. CMA; New York, Museum of Modern Art. Édouard Vuillard (1954), 59 (repr.), 101.
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
This scene of two women in a Parisian café has a hushed atmosphere that is heightened by the warm palette and glow of gaslight. Édouard Vuillard and Félix Vallotton were close friends and painted together in the 1890s, but Vuillard’s quiet café and Vallotton’s riotous <em>Bistro</em> (2020.114) could not be more different in mood.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 1 structured provenance events · 2 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line