Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Bequest of Noah L. Butkin
Museum
Arion on a Sea Horse and Bacchante on a Panther (pair)
1855
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicProvenance event
Commissioned by Anatole Bartholoni, Paris. Paris sale, Drouot, 27 April 1933 (lot 32), Arion chevauc...
Source provenance text
Commissioned by Anatole Bartholoni, Paris. Paris sale, Drouot, 27 April 1933 (lot 32), Arion chevauchant un monstre marin (lot 33), Bacchante sur une panthère (repr.), Shepherd Gallery, New York, 1972. Christopher Gibbs Ltd., London, 1973. London sale, Sotheby's, 30 November 1977 (lot 208), Arion sur un dauphin; Bacchante sur une panthère (repr.), £6500. Noah L. Butkin, Cleveland. Bequeathed to the CMA in 1980.
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981).
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
These paintings are from a series of eight works that Bouguereau painted for a Parisian home decorated in the style inspired by ancient Roman wall paintings found at Pompeii. The ancient Greek poet Arion escaped pirates by fleeing on the back of a sea creature attracted by the poet's singing. In the companion picture, a bacchante, a female follower of the Roman god Bacchus, rides a panther and carries a pinecone-tipped spear called a thyrsus. The figures are silhouetted against a gold honeycomb–patterned background evoking ancient Roman mosaics Bouguereau had studied in Italy. The soft, waxy flesh tones and glimmering gold leaf were calculated to come to life when viewed under the mansion's gas lighting.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 1 structured provenance events · 1 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line