Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · John L. Severance Fund
Museum
An East African King Receives Three Emissaries, from a Khamsa of Amir Khusrau Dihlavi
c. 1450
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
Public?-1963
(Heeramaneck Galleries, New York, NY, sold to the Cleveland Museum of Art)
1963-
The Cleveland Museum of Art, Cleveland, OH
Source provenance text
(Heeramaneck Galleries, New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Year in Review (1963). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 27, 1963-January 5, 1964). Indian Gallery 242b Rotation – November 2016. The Cleveland Museum of Art (organizer) (November 7, 2016-April 10, 2017).
The Cleveland Museum of Artconfidence 100%
Related public works
Explore catalog →Catalog neighbours
Rustam Takes Aim at Ashkabus, from a Shah-nama (Book of Kings)
Unknown artist · 1420
Text describing the pregnancy of Queen Trishala, folio 40 (recto) from a Kalpa-sutra
Unknown artist · 1395
The Marriage of Pradyumna and Rukmavati, page from a Bhagavata Purana
Unknown artist · 1520
Krishna sporting with the gopis in the Jumna River, from a Bhagavata Purana
Unknown artist · 1520
Nanda and the elders, page from a Bhagavata Purana
Unknown artist · 1520
Sourced Overview Evidence
The text on this page discusses the wars between Morocco and Zang, a region of eastern Africa centered in present-day Ethiopia. In the painting the King of Zang meets three envoys. The dramatic gesture of the Zangi king, who stretches out one hand as he takes an enormous stride toward the envoys, identifies him as a powerful, assertive figure. <br><br>This page is from the first known manuscript of a Persian literary text illustrated by an Indian artist, who had probably been trained in the Jain manuscript tradition. The figures are arranged on one plane in a straight line against a flat red background, typical of manuscript painting in India in the 1400s.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 2 structured provenance events · 2 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line