Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · John L. Severance Fund
Museum
Album of Seasonal Landscapes, Leaf H (previous leaf 8)
1668
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicProvenance event
Chen Yixi 陳奕禧 [1648–1709]
Provenance event
Li Yufen 李玉棻 [mid-1800s], Yangzhou, China
Provenance event
Wu Hufan 吳湖帆 [1894–1968], Shanghai, China
Provenance event
Qin Tongli 秦通理 [early 1900s]
?–1955
(Frank Caro [1904–1980], New York, NY, sold to the Cleveland Museum of Art)
1955–
The Cleveland Museum of Art, Cleveland, OH
Source provenance text
Chen Yixi 陳奕禧 [1648–1709] Li Yufen 李玉棻 [mid-1800s], Yangzhou, China Wu Hufan 吳湖帆 [1894–1968], Shanghai, China Qin Tongli 秦通理 [early 1900s] (Frank Caro [1904–1980], New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
The Colors of Ink. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974). The Plum Scenery Studio: Wu Hufan and His Circle in Modern Shanghai. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 31-November 8, 2026). Conference on Oriental-Western Literary and Cultural Relations. Indiana University, Bloomington, IN (1974). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
Throughout his lifetime, Xiao Yuncong visited Nanjing and Yangzhou, cities embedded in the fertile and water-rich Jiangnan region, as reflected in his paintings. Xiao painted from nature, and his landscapes are informed by the seasons and his travels, as well as by his experience as a print designer. Xiao’s fresh, light colors continue to appear in later Shanghai school paintings. <br><br>This album was formerly in the collection of Li Yufen in Yangzhou and then owned by Wu Hufan in Shanghai. While the artist impressed his seal consistently below his poetic inscriptions in the upper parts of the composition, the red seals on the margins and in the lower corners of the paintings are impressions by the album’s previous owners.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 6 structured provenance events · 2 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line