Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Gift of Dr. and Mrs. Sherman E. Lee
Museum
A Solitary Crane in the Bamboo Grove
early 1600s
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicNo rights-cleared provenance evidence is published.
Exhibitions
PublicSource exhibition text
Greeting the Spring (Chinese art rotation, galleries 240a, 239, 241c). The Cleveland Museum of Art (organizer) (February 11-August 13, 2017). Main Asian Gallery Rotation (Gallery 122); April 22, 2002 - April 7, 2004.
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
Although little known today, Tao Hong was a versatile artist who here depicts farmers returning home after a day in the fields. The shallow stream and dormant rice fields, the returning birds, and light sprinkles of green foliage all indicate the beginning of the farming season and hope for a good harvest. While the first leaf of this pair, 1999.223, depicts rural life, this one is of a more poetic nature. A lone crane stands in a bamboo grove. By using light colors and nuanced brushwork, Tao Hong achieves an effect of natural light and luminosity.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 0 structured provenance events · 1 structured exhibitions.
Place Of OriginShort DescriptionExhibition HistoryCredit Line