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A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto)
The Cleveland Museum of Art · Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection
Museum

A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto)

c. 1710

Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
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Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
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Comparable Sales

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Provenance

Public
March 17, 1988

(Sotheby’s, New York, NY, Indian, Himalayan and South-East Asian Art and Indian Miniatures, 16–17 Ma...

1988–2013

Ralph Benkaim [1914-2001] and Catherine Glynn Benkaim [b. 1946], Beverly Hills, CA, sold to the Clev...

2013–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

(Sotheby’s, New York, NY, Indian, Himalayan and South-East Asian Art and Indian Miniatures, 16–17 March 1988, lot 329, sold to Ralph and Catherine Benkaim) Ralph Benkaim [1914-2001] and Catherine Glynn Benkaim [b. 1946], Beverly Hills, CA, sold to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

The Moon: A Voyage Through Time. Aga Khan Museum, Toronto, Canada (organizer) (March 9-August 18, 2019).

The Cleveland Museum of Artconfidence 100%
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Sourced Overview Evidence

The source story of this painting remains enigmatic to scholars, but it includes a range of depictions of the “other”––from the foreign to the demonic. A prince kneeling in front of his horse addresses a lady; the moon in front of her face may identify her as Mahliqa (“moonlike” in Arabic), the Chinese princess identified by inscription on the adjacent page. A group of men whose eyes hang vertically stand behind her. Horned figures with grass skirts lie slain behind them, presumably killed by the kneeling prince conspicuously holding a bow. The city in the background, at the top of the painting, is populated solely by women, and its eight surrounding walls are interspersed with slain composite creatures wearing leaf skirts, which may identify them as bands of forest-dwellers, or tribal groups.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 3 structured provenance events · 1 structured exhibitions.

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